To sum up, the Rode Podcaster is not a cheap mic, but it still represents superb value. If you’re looking for a helping hand from the mic to give the best results then there are perhaps better options - the Shure MV7 comes with software containing preset voice EQ settings, for example - but if your workflow involves processing the audio and adding compression afterwards then this isn’t a problem. Tonally, the Rode Podcaster delivers that silky smooth broadcast voice you’d expect, with nice pronunciation around the low and mid ranges, and a nice sparkle around the top end. Finally, there is a 3.5mm jack for headphone monitoring and a control for the headphone volume. In terms of controls, there’s not a huge amount on the mic itself - the theory is you’d use your recording software for checking levels - but there is a single LED which does at least give some visual feedback if you’re going way over the threshold. Form-wise, the Podcaster is an end-address mic, so you’ll need it pointing directly at you although we found the best results came speaking slightly off-axis to reduce plosives, even despite the built-in pop filter. We are big fans of the glossy white finish, which makes a nice change from the usual matte black we see in this category. It’s a shame there isn’t one in the box but we guess Rode is assuming the Podcaster is an upgrade and the user will have a stand or boom arm on which to place the mic. The all-metal chassis gives you confidence it’s made to last - Rode gear usually is - although it does demand a suitable mic stand to keep it stable. Straight out of the box you’ll see this is a large, hefty beast of a microphone.
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